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MJ#16

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  • index
    • Editorial
    • Dear Rustam Khalfin
    • The Image and the Survivor
    • The Slave at the Louvre
    • The Essence of Alexandria (Part Two)
    • The Shuhada of the Past Fifty Years
    • Toxic Feelings
    • When the Body Politic Ceases To Be an Idea
    • The Sound Evidence of Sonic Warfare : Notes from the "Aural Contract Audio Archive"
    • The Form of Remains
    • Yugoslavian Partisan Memorials: Between Memorial Genre, Revolutionary Aesthetics and Ideological Recuperation
    • The Portrait of a Lover
    • I Travel Because I Have To, I Come Back Because I Love You
    • Of Dreamers, Ezzeddine Qalaq and Palestine’s Revolutionary Posters
    • Mnemosyne 42
    • Chinese Labels
    • Thoughts and Notes after "rites, thoughts, notes, sparks, swings and strikes"
    • The Project Horizon: On the Temporality of Making
    • We Will Win Survey, Selections
    • Political Therapy
    • Contributors
    • Colophon
  • Nataša Petrešin-Bachelez, Virginie Bobin and Rasha Salti

    Editorial

  • Leeza Ahmady

    Dear Rustam Khalfin

    Materials
  • Marc Nichanian

    The Image and the Survivor

    Speculation
  • Françoise Vergès

    The Slave at the Louvre

    Projection
  • Khaled Fahmy

    The Essence of Alexandria (Part Two)

    Speculation
  • Mustapha Benfodil

    The Shuhada of the Past Fifty Years

    Speculation
  • A Dialogue Between Ann Cvetkovich and Pauline Boudry / Renate Lorenz

    Toxic Feelings

    Conversation
  • Ariella Azoulay

    When the Body Politic Ceases To Be an Idea

    Exhibition Room
  • Lawrence Abu Hamdan

    The Sound Evidence of Sonic Warfare : Notes from the "Aural Contract Audio Archive"

  • Hito Steyerl and Maja Petrović-Šteger

    The Form of Remains

    Conversation
  • Gal Kirn and Robert Burghardt

    Yugoslavian Partisan Memorials: Between Memorial Genre, Revolutionary Aesthetics and Ideological Recuperation

    Speculation
  • Adnan Yıldız

    The Portrait of a Lover

    Materials
  • Macelo Gomes & Karim Aïnouz

    I Travel Because I Have To, I Come Back Because I Love You

    Etude
  • Rasha Salti

    Of Dreamers, Ezzeddine Qalaq and Palestine’s Revolutionary Posters

    Materials
  • Georges Didi-Huberman

    Mnemosyne 42

    Exhibition Room
  • Cuauhtémoc Medina

    Chinese Labels

    Etude
  • Cosmin Costinaş

    Thoughts and Notes after "rites, thoughts, notes, sparks, swings and strikes"

  • Bojana Kunst

    The Project Horizon: On the Temporality of Making

    Speculation
  • Burak Delier

    We Will Win Survey, Selections

    Materials
  • Valentina Desideri

    Political Therapy

    Game
  • Contributors

  • Colophon

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